I am not sure what the exact Sutta is but perhaps which is one which is not yet translated into English. In this Panchasika or Pansilu is in love and composes a love song towards another Deva he has fallen in love with. Thinking who is the most intelligent person who can give an opinion on this is the Buddha he visits the Buddha vet his composition.
The scriptures record two instances of Panchasika or Pansilu, the musician of Tavatimsa heaven, visiting the Buddha: on one such occasion, standing outside the dwelling of the Buddha, and within a short distance to be audible to the enlightened one, Panchasika while playing his instrument named as Beluvapanda, sang his own composition which described the attractiveness of his sweetheart. A line from a verse in the lyrics he recited goes as follows...
“When shall I be fortunate to experience the warmth of your smooth and sensual bosom…”
After singing his favourite, Panchasika went before the Buddha who apparently was neither distressed/ disturbed nor enchanted by Panchasika’s obscene lyric; strangely, the Buddha commented about the high quality of his singing [it is not known, if he sang it in high pitched operatic or otherwise]. He specifically admired the synchronization between melody, vocal singing and the instrumental music! The Buddha said,
“the notes of your playing are in harmony with the notes of the song; the notes of the song are in harmony with the notes of your veena; instrumental tones do not exceed your vocal tones, and vocal tones do not surpass your veena tones; Panchasika, when did you compose this song?”
Surely the styles, melodies and lyrics of deities who are of extremely cheerful happy-go-lucky beings cannot be calming, soothing or spiritual but much more erotic even than our modern and emerging compositions of sounds, ideas, rhythms and themes; yet the Buddha, perhaps one of the earliest music critics of the world had a great regard for the worldly aspects of life. The above story gives an indication of the Buddha’s insights on Harmony, as well as his perception and patience. [Panchasika’s musical recital is described in detail in by Gurulugomi in his literary work, Amavatura.]
Source: The veena in Buddhist stories and Is disharmony allowed in Buddhism?
Summary of the key points are:
- the notes of your playing are in harmony with the notes of the song
- the notes of the song are in harmony with the notes of the veena
- instrumental tones do not exceed your vocal tones vocal tones do not
- surpass your veena tones
from http://ift.tt/1Prg8Rc - User Suminda Sirinath S. Dharmasena - Buddhism Stack Exchange (http://ift.tt/1NMLzIc) by Suminda Sirinath S. Dharmasena (http://ift.tt/1ZwZIP2)
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